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Showing 40 results
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Pollard-Willow, Weeping-Willow, Pollard Weeping-Willow and Yew (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
The Good Natured Beauty (Beauté Douce), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
Principles of Beauty Relative to the Human Head
Alexander Cozens
1778
Twelve Noses and Six Mouths, from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
The Timid Beauty (Beauté Craintive), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
Cedar, Cypress, Elm and Lopped-Elm (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
Coastal Landscape
Alexander Cozens
ca. 1770
Oak, Pollard-Oak, Palm and Italian Pine (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
The Modest Beauty (Beauté Timide), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
Interior view of Fountains Abbey, Yorkshire
Thomas Sunderland
mid-18th–early 19th century
Ruined Castle and Trees
Alexander Cozens
ca. 1762
Types of Lines and Thirteen Eyes, from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
Lime, Holly, Laburnum and Laurel (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
The Tender Beauty (Beauté Sensible), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
A New Method of Assisting the Invention in Drawing Original Compositions of Landscape, Plates 9-18
Alexander Cozens
1786
The Sensible, or Wise Beauty (Beauté Spirituelle), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
A blot-lake with boat, surrounded by trees
Alexander Cozens
1750–86
The Spirited Beauty (Beauté Vive), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
The Haughty Beauty (Beauté Fière), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
Storm Over A Lake
Joseph Barber
1800–1811
The Engaging Beauty (Beauté Prévenante), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
A New Method of Assisting the Invention in Drawing Original Compositions of Landscape, Plates 38-43
Alexander Cozens
1786
Elder, Larch-Fir, Scotch-Fir and Spruce or Norway Fir (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
The Shape, Skeleton and Foliage of Thirty-two Species of Trees for the Use of Painting and Drawing
Alexander Cozens
1771
The Fallen Tree
Alexander Cozens
ca. 1785
The Artful Beauty (Beauté Fine), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
Aspin, Pollard-Aspin, Ash, and Abele or Poplar (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
Title page: The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing
Alexander Cozens
April 27, 1771
Sycamore, Thorn, Walnut and Willow (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771
The Languid, or Delicate Beauty (Beauté Languissante), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
A New Method of Assisting the Invention in Drawing Original Compositions of Landscape, Plates 1-8
Alexander Cozens
1786
The Cheerful Beauty (Beauté Gaie), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
Figure in a classical landscape
Alexander Cozens
1755–65
Landscapes
William Austin
before 1820
A New Method of Assisting the Invention in Drawing Original Compositions of Landscape, Plates 19-37
Alexander Cozens
1786
The Melancholy Beauty (Beauté Mélancholique), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens
April 10, 1777
The Steady Beauty (Beauté Déterminée), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
Landscape with Riverbed and Mountains
Alexander Cozens
1770–86
The Penetrating Beauty (Beauté Intelligente), from Principles of Beauty Relative to the Human Head
Alexander Cozens
April 10, 1777
Beach, Birch, Spanish Chestnut and Horse-Chestnut (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)
Alexander Cozens
1771